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in his latest experiment, the artist brings together in his abstract constructions a wide range of symbolic allusions to nature and heritage, as well as the emotional and psychological dimensions of both. these appear in compositions that merge the geometric with the organic, seeking to celebrate the aesthetics of the image through emotional expressions grounded in strong geometric abstraction and rigorous design. this approach parallels the natural balance prevailing in the universe, whether among material elements or emotional and sensory states.
the tree, the palm, the pyramid, the moon, and even the human body and other botanical motifs are all material elements that, in our consciousness, are associated with emotional, affective, and sometimes religious or ideological meanings. this approach to selecting elements and shaping them visually becomes the artist’s motivation to express his vision of the universe and to explore the nature of things and relationships between inanimate objects and living beings, and between general concepts and their meaningful details. the techniques employed work together to create a balance between the dominance of the geometric and the delicacy of the natural, and between the freshness of the contemporary and the antiquity of heritage.